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Underground Murder Film Capital // Speak Eastern, Western

by UT Kirin

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1.
father of one, awake but not alive tell me where is your daughter tonight is she lost in the underground murder film capital Ciudad Juarez, Sonora Desert, 1994 he hears her keys in the door at 5 AM joins him for coffee still wearing her black dress takes out her diary and pens another entry for September the 6th: “I’m getting sick of this shit another killing and shit this guy beheaded this chick they found her corpse in a ditch the cops do nothing about it they’re all complicit and shit i wanted better than this desert is trapping me in gotta get back to Madrid or i’m gonna die in this mess i’m gonna die in this mess i’m gonna die in this mess i’m gonna die in this mess” she comes home early from classes to find her dad is staring out the window at a math textbook he’s hung up on a clothesline she knows he’s losing his mind she hears him talking out loud to nobody in the middle of the night this house is surrounded by ghosts of the girls killed on the road to the factory and this whole town is haunted another 10 dead in august she sees her own face in every picture that they publish the voices tell him to get her across the border somewhere in Arizona where she can maybe start over and forget about this horror and forget about her father who will remain behind serving as shepherd for the martyred
2.
she was born to die in a future confederation where Emmanuel Macron is fighting Angela Merkel in heaven and through a sepia tone lens she witnesses the similarities between the businesses the bakery pastries, for instance the trains in europe sound different and all the mornings take longer to feel it surrealist grey landscape of December clutching a warm cup of coffee against her and every day her english gets a little better but she can not talk to them, and they will not comprehend her buried in useless nostalgia for nagano and she thinks about snow, and she misses her home will you come back some day? asks one of her relatives deep in her memory childhood ghosts are drowned on the coastline high school friendships fading in the red wine what difference does it make? speak eastern, western, math on a black board passively drifting toward blue-eyed dutch guys just when did the sun start setting in the eastern sky? she said: “I’m not here but I won’t be leaving” internet phone calls losing their meaning what are they saying and why’s this appealing missed another wedding, well maybe next season she tripped acid and she saw what they’ll never see veins bleeding ecstasy can’t discuss it anyway it’s just a watercolor melting in a rainstorm blurring til meaningless carried to the north sea shore

about

These two tracks are the fifth and sixth songs I've completed for the upcoming 4th UT Kirin full-length album, which I guess I've decided to keep releasing in batches of two.

Underground Murder Film Capital was inspired by the Roberto Bolano book '2666', which is a massive and outstanding Spanish language novel that is partially a fictionalized account of the real life mass-femicide that took place in Ciudad Juarez and that part of northern Mexico in the 1990s. Two of the characters living through this episode in the book are a professor and his daughter, and it was from their perspective that I wrote the song. I tried to mix the brutal realism of the crimes with the surrealism of the novel, and surreal feeling one might experience living through an atrocity like that. I started on the track in my apartment in Austin, TX just after my law school finals ended in December of 2020 and completed it in early 2021.

Speak Eastern, Western is inspired by my wife Kimiko and some friends of hers that left Japan for western countries for educational or professional opportunities, with the idea that it was temporary and that they'd go back someday. But over time your home country changes and you grow distant from it while simultaneously you grow more comfortable with and accustomed to the lifestyle of your new country, and you start to wonder if you are ever actually going back at all, if it even makes sense to, if you'll fit in. I began it in July 2020 in my apartment in Davis, CA and finished it in September after I had moved to Austin.

The artwork is by Lisa Taranchenko.

credits

released January 31, 2021

All music by HR Huber-Rodriguez. Art by Lisa Taranchenko. Mastered by Ken Lee and Jon Baker.

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UT Kirin Austin, Texas

Bedroom indie rock project of one HR Huber-Rodriguez.

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