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Sweet Missouri // Like Notes From a Wind Chime

by UT Kirin

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1.
Lafayette - you called me? Wine cellar, oh well I guess he's had his fix of red And gone on off to bed But we'll get house tickets, Calvin Harris Wishing he was not a mess So we could get him up at 9 for class You know I love the way that two within a double Can make each other Feel as though they didn't grow up all alone But with a brother So where's my Southern twin? And why can't I find him in my evening long companions? Form a band, try to score a show off campus Try to score the soundtrack of her life In C major ballads My first time in Austin Didn't go the way I wanted Fifty-fifty nights on couches Wondering if I should have tried The cheap coffee and marijuana And if you're so inclined We could leap through puddles, never minding Post break exam dates, internship applications You never have to lie I know you won't be coming back after April And this year you burned And I'll stay lit And I will keep you alive late Thursday nights Around an empty handle Where I'll tell stories of your life As it was filtered through my eyes Sweet Missouri
2.
From the balcony She can hear the ocean weaving Mixed with the decision of Another one night stand She’s had her whole life to plan To disappear into obscurity And no one would know That she’d ever lived her life As some minor character in somebody else’s show To namelessly fade into the blues and greens Of the northern Oregon coast And she sees the symmetry in all of it Born without a consciousness Dead without a second thought or momentary regret A calculated meaningless event I slept with her for three months April to June of ’97 Walk the golf course in the evening Down along the shoreline The Pacific’s always cold in Oregon Us never saying anything And never knowing what her name was Well I don’t think she had one She wanted to be like the notes Played by her wind chimes Blown in from the coastline And vanishing into the night sky As we were laying in bed Two shadows cast against the silence She said “I’m gonna live to be twenty-five And then die” And as I walked home alone Through faded rain and washed out meadows I realized she was already a ghost And so was I She wasn’t here at all And when I stayed with her I wasn’t here at all The apartment by the shore subject to haunting Every time that she called me Told me she wanted To feel for an evening Like someone with a heartbeat And as a coda: By 2001 I had moved on down To northern California And forgotten all about her Til a night when I was lost in my late twenties Stumbling somewhere by the ocean And I heard the notes from far-off wind chimes Mixing with the crashing of the waves upon the cliff sides And those months all came back shattering Shattering, and everything about Her darkened bedroom was vivid as if dreaming The stormy sky and sound of waves were calming The emptiness of sleeping With a stranger in whose silence you sense something So profoundly sad and human and revealing And I didn’t have to look her up to know I wouldn’t find her To know that she was gone If she was ever there at all If she was ever there at all She wasn’t ever there at all She wasn’t ever there at all If she was ever there at all

about

Sweet Missouri was originally written in February of 2016 and appeared on my 2nd album, Wry Side of Paradise. We used to play it live as our set opener and we developed a very different version of it than the version on that album. I wanted to remake it to reflect the way we would play it live and just generally change the vibe and the production a lot. It is about the spring semester of my freshman year of college at Rice, what was going on with me then, but mostly about a friend of mine from Missouri who was failing out, and me and our other friends all knew it but we never really talked about it because it was more important to just have fun together with the time that we had left.

Like Notes From a Wind Chime is about a girl who lives alone on the coast of Oregon and sort of just wants to unceremoniously disappear from the world. It’s written from the point of view of someone who was casually sleeping with her in 1997, reflecting on that period in his life four years later in 2001, and how he didn’t even know what her name was, and the sort of strange bonds that can form between lonely people. And it’s all generally backdropped by that rough and isolated Oregon coastline, and the weather, and the waves and the wind

credits

released October 21, 2022

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UT Kirin Austin, Texas

Bedroom indie rock project of one HR Huber-Rodriguez.

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